The imagery is poignant, startling, original, savage, revelatory, beautiful and evocative - often all at the same time. Where does one start?ДЇrom the moment I first read the play, I knew there was something magical locked within it. On the page, Crave can appear nigh-on impenetrable four unnamed characters, all of whom seem to constantly switch both character and stylistic form, in a near narrative-free text.

This is not the usual stance for the director of a show, granted, but the truth is not so very far from the flippant. Whenever anyone has asked me what 'Crave' is about I have, perhaps flippantly, replied that I don't really know. After her death her plays have continued to be performed widely across Europe and to be cited as influential by many other writers. Although her later works 'Crave' and '4.48 Psychosis' were different in style they had a similarly strong impact. Her third play 'Cleansed' was staged two years later.

Like 'Blasted' it was dark in tone and featured graphic scenes of violence, and its production was highly contentious. Her next play, 'Phaedra's Love', is a modern reworking of the myth of Phaedra's doomed love for her stepson Hippolytus, and was first performed in 1996. It became hugely controversial, with its scenes of dark, violent brutality and cruelty leading to attacks by critics and more widely by sections of the press. Sarah Kane's first play 'Blasted', opened at the Royal Court Theatre Upstairs in 1995.

For many years she battled with severe depression and at the age of 28 she committed suicide. As well as writing, she directed other's work, and she also worked hard to encourage other writers in their work. AuthorSarah Kane Sarah Kane (1971 - 1999)ДЄs a teenager, Sarah Kane was a committed Christian, but after her degree in drama at Bristol University and MA at Birmingham in Playwriting, she rejected these beliefs.

Crave sarah kane script pdf